La DS (Cornaline) is a classic French automobile produced by Citroën in the 1950s and 1960s that represented a symbol of progress and modernity. This work is a new version of the original grey La DS, exhibited for the first time in Paris in 1993. For its realization, this model was cut into three equal parts and joined without its central section and assembled in a different way. In his diaries, Orozco mentions that it functions as a “three-dimensional photograph,” or a “self-portrait”: a car that represents a connection between the body and the machine, and in which only one or two people fit. Exhibited without a motor, and referring to the technique of symmetry, this work shows a change of perception both physically and in the utility of an object.